He works with wood, paper, fabric, metal, especially with Japanese paper he uses them to make original space with his installation. In those years, he uses the technic of ORIGAMI, the first paper craft we lean in Japan at school for the skillful of finger, hand working.
Koya Ichikawa uses this idea, but what he wants is anti wish.
He finds there are many wishes, not sincere, but just a geste.
He protestes these faus wishes.
Koya Ichikawa thinks Japanese use so easily, and so often the ward wish without any heart.
First he deletes these informations of folding the papers, Origami, gather together and penetrated by cold metallic wire, no meaning, no usuful signification of printed.
These informations became a good of creation and protest to the wish.
I am here, to exist is only one rivalry to the fake wish.