Ljiljana Lišković
7.3.2023
Ljiljana Lišković studied at the Academy of Arts in Novi Sad. She is currently studying under the guidance of Prof. Vere Kovač-Vitkai at the University of Music and Performing Arts in Vienna. She has also studied under Helena Lazarska, Margarita Lilova, and Klaudija Viske and has obtained a Master of Arts degree (Magistra Artium).
During her studies in Vienna, she was a scholarship recipient of the Karl Mihael Cirer Fund, the Tokyo Foundation, and the Til-Dir Foundation from Switzerland. She was a finalist in the International Competition “Rolando Nikolozi” in Rome in 2010, after which she was invited to perform concerts by the great maestro.
She won three special awards at the International Competition of the City of Bologna in 2011 and a prize at the International Competition “Đakomo Lauri-Volpi” in Latina, Italy. She was a finalist in the International competition “Martuneli-Pertile” in 2011 in Montanara, as well as the International competition “Magda Olivero” in 2012 in Milan and the International Competition “Anselmo Kolcani” in 2013 in Budrio, Italy. She was the absolute winner of the International Competition of Ferrara in 2012, leading to her participation in the Summer Competition festival in Basan. She gained her first experience on the opera stage in Vienna in productions of the University of Music and Performing Arts at the Schönbrunn Theater, including Emi – Benjamin Britten’s Albert Herring, Mimi – Giacomo Puccini’s La Bohème, and Olympia – Jacques Offenbach’s The Tales of Hoffmann. She then became a member of the opera studio at the City Theater in Treviso, Italy.
With the ensemble of the Concert Association of Vienna, Ljiljana performed on tour in Japan and participated several times in the summer festival “Le petit Festival du Theatre” in Dubrovnik, as well as the summer festival “Mozart u Rheinsberg” in Austria, where he achieved great success with the role of the Queen of the Night in The Magic Flute, under the direction of Martin Zighart. She also performed as Adina in The Elixir of Love at the “Guardasoni” Theater in Bologna and as Mimi in La Bohème at the “Leonardo da Vinci” Auditorium in San Dona di Piave. Lady Liskovic participated in the Summer Opera Festival in Tuscany, at the Festival in Amandola, and held concerts in the ceremonial hall Sersanti, as well as the Theater “Ebe Stignani” in Imola.
In cooperation with the Piano Academy from Imola, she performed in the Theater “Manconi” in Bologna, as well as at concerts in Venice in the hall Ca’ Rezzonico and the church “La Pieta,” where he performed Vivaldi’s Gloria in cooperation with the Chamber Opera from Venice. At the Festival “Culture of the Spirit” in Italy, he performed at a gala concert under the baton of Franko Đakova and held chamber music concerts with pianist Gaspar Hanta. Among his most recent performances are those in theatres in Ferrara and Budrio, Italy. Check the text for spelling and grammatical errors and show the corrected version:
She also collaborates with the Serbian National Theater Opera, where she performs at a gala concert on the occasion of the 150th anniversary of the birth of Richard Strauss. Excerpts from the famous composer’s operas were performed for the first time in Serbia, and she also acted as Amelia Grimaldi in Verdi’s opera “Simon Bocanegra”. She sings the soprano solo in Haydn’s Nelson Mass and the soprano solo in Beethoven’s 9th Symphony in collaboration with the Vojvodina Symphony Orchestra.
Ljiljana performs in Vienna with pianist Nataša Veljković and at the Constantinus Festival in Niš with the Novi Sad Chamber Ensemble. She is a guest soloist of the “Orfelin” choir at their Sentandreja and Novi Sad performances. With guitarist Zoran Krajišnik, she performs the repertoire of Spanish composers, and with pianist Aleksandra Rakić, she holds a series of concerts with solo songs and concert arias by Ludwig van Beethoven.
Ljiljana is an assistant professor at the Department of Solo Singing at the Academy of Arts in Novi Sad, where she teaches the main subject. She has held master’s courses in Serbia, Montenegro, Slovenia, and Italy. She was hired as a lecturer on the project “Opera: Past, Present, Perfect!” within the Creative Europe-Culture Program in the organization of MOTO from Belgrade.
In addition to opera, she cultivates a chamber repertoire emphasizing German solo songs, which she perfected in Vienna. She collaborates with pianists Strahinja Đokić, Vladimir Mlinarić, Nataša Veljković, and Valentina Nenašev, as well as with guitarist Zoran Krajišnik. She is improving under the mentorship of the famous baritone Željko Lučić. The beauty of her voice sometimes can cross the sea merely by standing and staring at the water… You will feel it if you listen to her “Ave Maria.”
Ljiljana Lišković školovala se na Akademiji umjetnosti u Novom Sadu u klasi prof. Vere Kovač- Vitkai i na Univerzitetu za muziku i scenske umjetnosti u Beču u klasama Helene Lazarske, Margarite Lilove i Klaudije Viske, gde je stekla diplomu magistra umjetnosti (Magistra Artium). Tokom studija u Beču bila je stipendista Fonda Karl Mihael Cirer i Tokio fondacije, kao i Til- Dir Fondacije iz Švajcarske.
Finalista je Internacionalnog takmičenja “Rolando Nikolozi” u Rimu 2010, nakon čega slijede koncerti, na poziv ovog velikog maestra. Osvaja tri specijalne nagrade na Internacionalnom takmičenju grada Bolonje 2011, kao i nagradu na Internacionalnom takmičenju “Đakomo Lauri- Volpi” u Latini (Italija). Finalista je Internacionalnog takmičenja “Martuneli- Pertile” 2011. u Montanari, kao i Internacionalnog takmičenja “Magda Olivero” 2012. u Milanu i Internacionalnog takmičenja “Anselmo Kolcani” 2013 u Budriu (Italija). Apsolutni je pobjednik Internacionalnog takmičenja grada Ferare 2012. što joj donosi i učešće na Letnjem festivalu u Basanu.
Prva iskustva na operskoj sceni stiče u Beču u produkcijama Univerziteta za muziku i scenske umejtnosti i pri Teatru Šenbrun (Emi- Albert Hering Bendžamina Britna, Mizeta- Boemi Đakoma Pučinija, Olimpija- Hofmanove priče Žaka Ofenbaha), a zatim kao članica operskog studija pri Gradskom pozorištu u Trevizu (Italija). Sa ansamblom Koncertnog udruženja Bečke nastupa na turneji u Japanu, više puta učestvuje na Letnjem festivalu “Le petit Festival du Theatre” u Dubrovniku, kao i na Letnjem festivalu “Mocart u Rajnsbergu” (Austrija), gde ostvaruje veliki uspeh ulogom Kraljice noći u Čarobnoj fruli, pod dirgentskom palicom Martina Zigharta. Nastupa i kao Adina u Ljubavnom napitku pri Teatru “Guardasoni” u Bolonji i kao Mimi u Boemima pri Auditorijumu “Leonardo da Vinči” (San Dona di Pjave). Učestvuje na Letnjem festival “Opera Pjenca” u Toskani, na Festivalu u Amandoli, održava koncerte u svečanoj sali Sersanti, kao i Teatru “Ebe Stinjani” u Imoli. U saradnji sa Pijanističkom akademijom iz Imole nastupa u Teatru “Manconi” u Bolonji, kao i na koncertima u Veneciji u sali Ka Reconiko i crkvi “La pjeta” gde izvodi Vivaldijevu Gloriju u saradnji sa Komornom operom iz Venecije. Na Festivalu „Culture of the spirit“ u Italiji nastupa na gala koncertu pod dirigentskom palicom Franka Đakoze i održava koncerte komorne muzike sa engleskim pijanistom Gasparom Hantom, a među najsvežijima su nastupi u teatrima u Ferari i Budriu (Italija).
Sarađuje i sa Operom Srpskog narodnog pozorišta, gde nastupa na gala koncertu povodom 150 godina od rođenja Riharda Štrausa, kada su po prvi put u Srbiji izvedeni odlomci iz opera čuvenog kompozitora, a potom i kao Amelija Grimaldi u Verdijevoj operi „Simon Bokanegra“. Pjeva sopran solo u Hajdnovoj Nelson misi, kao i sopran solo u Betovenovoj 9. simfoniji u saradnji sa Vojvođanskim simfonijskim orkestrom. Nastupa u Beču sa pijaniskinjom Natašom Veljković, kao i na Festivalu Constantinus u Nišu sa Novosadskim komornim ansamblom. Gostujući je solista hora „Orfelin“ na njihovim nastupima u Sentandreji i Novom Sadu. Sa gitaristom Zoranom Krajišnikom izvodi repertoar španjolskih kompozitora, a sa pijaniskinjom Aleksandrom Rakić održava niz koncerata sa solo pesmama i koncertnim arijama Ludviga van Betovena.
Docent je na Katedri za solo pevanje Akademije umetnosti u Novom Sadu gde predaje glavni predmet. Majstorske kurseve držala je u Srbiji, Crnoj Gori, Sloveniji i Italiji. Angažovana je kao predavač na projektu „Opera: Past, Present, Perfect!“ u okviru Programa Kreativne Evrope-Kultura, u organizacije MOTO-a iz Beograda.
Osim operskog, neguje i komorni repertoar sa akcentom na njemačkoj solo pjesmi koju je usavršavala u Beču. Sarađuje sa pijanistima Strahinjom Đokićem, Vladimirom Mlinarićem, Natašom Veljković i Valentinom Nenaševom, kao i sa gitaristom Zoranom Krajišnikom.
Usavrašava se pod mentorstvom čuvenog baritona Željka Lučića. Ljepota njezina glasa ponekad može prijeći more samo stojeći i gledajući u vodu… Osjetit ćete to ako poslušate njezinu “Ave Maria”.